The 1950s witnessed the absolute most theatre https://hookupdate.net/pl/onenightfriend-recenzja/ that is significant music artists in Latin America. In Mexico, the instructor Roberto Lago (1903-1995), co-founder regarding the Teatro Guignol which operated between your end for the 1940s additionally the mid 1950s, created the Grupo El Nahual with Lola Cueto (1897-1978). Lago proved an influence that is great just inside the nation but additionally in Venezuela. In addition to their research focus on the origins of Mexican puppetry, he had been one of several great dramaturges of children’s theater. Their newsprint, Los Angeles Hoja del titiritero independiente (The Independent Puppeteer Newspaper) had been a standard and brought numerous Latin US and puppeteers that are worldwide contact. Mexico ended up being one of several nations that distinguished it self making use of puppetry for literary promotions where the character of Don Ferruco, developed by Gilberto Ramirez Alvarado, played a role that is vital.
The Argentines Mané Bernardo (1913-1991) and Sarah Bianchi (1922-2010) had been additionally fundamental towards the advertising of puppetry arts in Latin America, going to the absolute most remote areas in Argentina along with other countries. Functions produced by Mané Bernardo are very respected and studied in universities while her pupil and buddy Sarah Bianchi’s strive for this time continues to be a guide for most puppeteers.
The itinerant tradition is certainly caused by represented by Javier VillafaГ±e (1909-1996), whom travelled the complete sub-continent along with his cart, adding to the growth of puppetry arts through their programs, conferences and workshops, particularly in Uruguay, Venezuela and Chile. He additionally left a essential repertoire, along with his La Calle de los Fantasmas (the road of Ghosts) happens to be frequently done for several years by several troupes.
Other Argentines – Juan Enrique Acuña (1915-1988), plus the brothers Héctor and Eduardo Di Mauro – additionally played roles that are important disseminating puppetry, in specific in Venezuela and Costa Rica.
In main American nations (Honduras, Guatemala and particularly the Dominican Republic), puppet theatre catered to children and was nurtured in schools.
The scene that is contemporary
A number that is large of presently in presence had been developed into the 1970s. These groups have now come together in the search for a specific aesthetic language beyond the varied techniques of manipulation after years of experimentation. In reality, through the 1990s puppet theater gained energy across Latin America. Along with glove that is traditional, other strategies – rod puppetry, string puppetry, shadow theater, black colored (light) theater, blended methods, noticeable manipulation, item theatre, tabletop puppetry – are now explored. Actors, things, puppets, dance and music intermingle in present styles in European countries therefore the united states of america. Another strategy fashionable is “las cajas misteriosas” (mysterious bins) where in fact the spectator views a brief performance through a peephole. The pioneers in this domain are Mariana Frare in Rosario, Argentina, Mónica Simões in Brazil, and also the Baúl Teatro in Monterrey, Mexico. New businesses of puppeteer-storytellers, like Las Mentirosas in Mexico and Zaguán in Chile, have revisited and included inside their work ancient traditions from Guatemala and Honduras called perras.
Puppetry can be being used to a better level in the area of treatment, to treat psychiatric disorders, muscular disease or bone tissue infection, and it is especially practised in Uruguay, Argentina, Brazil and Chile (see Society and Puppets – Social Applications of Puppetry).
In addition to festivals, a wide range of museums are helping popularize puppet that is local. In Argentina, the Museo Argentino del TГtere was made in Buenos Aires by ManГ© Bernardo and Sarah Bianchi. Meanwhile, another museum is made in La Plata by Moneo Sanz. The Museu Giramundo created at Belo Horizonte in 2001, and the Museum of Popular/Folk Art, Museu Casa do Pontal, situated in the outskirts of Rio de Janeiro in Brazil, there are the Museu do Mamulengo. The Museo-Teatro La Casa de los TГteres de BaГєl Teatro in Monterrey, the Museo Rafael Coronel at Zacatecas, and the Museo del TГtere de QuerГ©taro (Puppet Museum of the State of QuerГ©taro) in Mexico, there are the Museo Nacional del TГtere – Huamantla. In Uruguay, the Museo Vivo del TГtere (residing Museum of Puppetry) are located in Maldonado. La DignificaciГіn del Teatro de MuГ±ecos (FAMADIT) in Chile, there is the travelling exhibits of the FundaciГіn para. Venezuela has got the TГteres that is private Artesanales Mundo (Puppet Craft World) owned by Norma R. Bracho. Forum and web sites are increasingly being dedicated to puppetry, specially in Argentina, Brazil and Mexico.
In whatever form, the skill of puppetry in Latin America is alive and well without any hint of vanishing any time in the future.
